Christophe L wrote:Thx for the info.
You're welcome!
Christophe L wrote:I listened to Trip Wamsley and checked out Glockenklang and I must say... Waauw You really made me think about switching amps
Trip gets a phenomenal tone from his Arpege Basses. While much of his tone is his playing style and of course the fretless Arpege bass, his Glockenklang amp helps realize this tone. Glock is not necessarily adn amp that will give you much to hide behind - it's balls to the wall honest, and very punchy.What's nice is that ALL of trip's basses sound very distinguished through the Glock rig. His big Alembic gets an acoustic guitar quality on the upper strings, while the Jazz Bass sounds much liken, well, a Jazz Bass....
Christophe L wrote:Because, to be honest, I hardly ever use the effects on the Mo'Bass.
You're not the only one that prefer's the dry sound of the MoBass.
Christophe L wrote:Can you tell me what the "Built in A/B box with separate damping control for Input B" is exactly on the Heart-rock amp?
Yes. There are 2 inputs, both using the main gain control, and you can switch between input a and b . Input b has a separate trim level control, so if you have both basses plugged in, and want to switch between the two, then the louder bass goes in input b, allowing it to be matched to input a. Makes sense?